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The Memphis Blues - 1912 - 3:24 | ||
| Play |  |
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| Composed By W. C.Handy | |||
| Sequenced By Colin D. MacDonald | |||
 Edited
By Greenfield Bowie |
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| File Name: memphisb | Zip/Unzip Size: 6/16 | Added 27Oct96 | Last Updated 04Jun97 |
| Structure: Introduction AA BB Interlude CC | |||
| Primary Reference: All American
Ragtime Volume Four published by Creative Concepts Publishing Corp.,
154 E. El Roblar Dr., Box 848, Ojai, CA 93023
Other: 101 Rare Rags Selected By Richard Zimmerman published by Richard Zimmerman, 15522 Ricky Ct., Grass Valley, CA 95949 |
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Comments: None
Changes Made To Source Reference:
- Measures 4-5 RH: First note (F) played as tied note to sixteenth note in measure 5.
- Measures 12 and 24 LH: Rhythm changed from [{tied (1/4) and (1/8)}, (1/16), (1/16)] to [{tied (1/4) and (1/16)}, (1/16), (1/8)] See Measure 4.
- Measures 12-13 and 24-25 RH: First note (F) played as tied note to sixteenth note in measures 13/25.
- Measures 16-17 and 28-29 RH: First note (F) played as tied note to sixteenth note in measures 17/29.
- Measure 17 RH: G# in 7th chord changed to G natural.
- Measure 17 RH: In 8th chord, F# changed to F natural, and G natural changed to G#.
- Measure 29 RH: Two sixteenth C natural notes added at end of measure and given accent.
- Measures 31 and 47 RH: E natural in second chord changed to Eb.
- Measures 31 and 47 RH: Tied C# notes changed to D natural.
- Measure 32-33 and 48-49 RH: Last F note tied to first F note in following measure.
- Measures 35 and 51 RH: G natural added to second chord.
- Measures 38 and 54 RH: D added to second chord and 6th chord.
- Measures 40 and 56 RH: D sixteenth notes added to 1st, 2nd, 4th, 5th, and 7th notes.
- Measures 41 and 57 RH: D sixteenth notes added to 1st, 2nd, 4th, 7th, and 8th notes.
- Measure 44 RH: Removed C natural from 7th chord. Per Greenfield Bowie this note "... makes the run almost impossible to play correctly, and it upsets an otherwise lovely pattern of ascending notes. I don't think W. C. Handy would have written it this way, so I took it out."
- Measures 64-65 RH: First note (F) played as tied note to sixteenth note in measure 65.
- Measures 68 and 92 RH: Second note (C#) changed from eighth to sixteenth.
- Measures 69 and 93 RH: Second note (C#) changed from eighth to sixteenth.